Auteurs and Authorship: A Film Reader offers students an introductory and comprehensive view of perhaps the most central concept in film studies. This unique anthology addresses the aesthetic and historical…
During the 1960s, when cinema first entered the academy as a serious object of study, the primary focus was on auteurism, or on films authorship. Burgeoning cinema studies courses demonstrated…
Few topics in the study of film produce as much controversy as authorship. Critics, historians, and theoreticians heatedly debate film authors, arguing vociferously about the nature of film authorship and…
For scholars who wish to learn the current state of author studies, and to be stimulated by the prospects of the further work to be done, Iuthorship and Film is…
Abstract This article discusses the relationship (or lack thereof) between authors’ intentions and the meaning of literary works. It considers the advantages and disadvantages of Extreme and Modest Actual Intentionalism,…
Theories of Authorship and Intention in the Twentieth Century. An Overview. Published in 2012 Dario Compagno Abstract This article discusses some of the most important theories about authorship and…
Do we need an intended for a work to have meaning? Is Richard Dawkins right to say since there is no Creator, it is foolish to ponder the universe's meaning?…
Interesting interview with Professor William Irwin explaining why we must listen to JK Rowling's recent comments: http://www.intentism.com/williamirwin2.htm Professor William Irwin also speaks about interpreting television series LOST. He is the…